Tag Archives: Bill Horne

British Columbia – the Last Place on Earth… to fund culture!

British Columbia, “The Best Place on Earth”? Last place on earth to find culture, too. In Canada, anyway.  The piece above, silkscreened on recycled and pulped lottery tickets, is by BC artist Bill Horne. See the entire piece on his site here. As you may or may not know, slightly more than half of BC arts funding came from gaming (gambling) revenues. These funds were called gaming or “Direct Access” grants. Last year, the BC government made arts ineligible for gaming grants. BC was already last in Canada in terms of investing in provincial arts and culture, and now we are last by a very, very large margin. What is the BC government doing, gambling that BC arts can survive this spell? Why does the arts sector, which provides 80,000 jobs in BC, deserve zero investment when other industrial sectors receive such generous subsidies?

Letter to BC’s Finance Committee by Bill Horne of Wells, BC


All photos: Bill Horne

Dear Finance Committee Members:

I am writing as an artist and small business owner with 15 years’ experience in small town BC. I am also a Director of our Local Chamber of Commerce and the Vice-President of CARFAC BC, the provincial affiliate of Canadian Artists’ Representation/le front des artistes canadiens.

The two main things I would like you to consider are the restoration of all Gaming monies to the non-profit sector, without any strings attached, and a tripling of the province’s investment in the cultural sector.

The seasonal tourism economy in the north central interior is fragile enough as it is, especially in the wake of the recession, the pine beetle epidemic and this summer’s forest fires. I know that the gallery my wife and I operate brought in just 60% of the sales we had in 2009, and we are doing better than many people.

The decline in tourist numbers and sales makes us acutely aware of the impact of things like drastic cuts to the arts budget, the dissolution of Tourism BC, the siphoning of Gaming monies from non-profits, the unpredictable and unstable application of policy and funding in the arts sector, and the introduction of the HST.

Those of us who operate businesses in small communities are dependent on each other’s successes for our individual survival.Although it might be simpler to process HST remittances for our own particular business, its negative effect on local restaurants is causing less of their customers to circulate or stay in our town. The effect on outdoor tourism operators is another negative that will impact us, too.

My wife and I moved to Wells in part because of the existence of Island Mountain Arts, a non-profit which has been offering arts programs and operating a gallery for over 30years. In recent years it has also organized the Arts Wells Festival.

There is no question of its significant role in the culture and economy of our region. The relatively small investments of public funding this organization has received have a ripple effect that is estimated to bring $500K each summer to the north Cariboo, and easily twice that when the Festival is included.

When the government cuts arts funding, changes gaming fund rules, changes them again, changes rules retroactively, it wreaks havoc in the arts sector. It makes it extremely difficult for volunteer boards and staff to carry out a sound business plan. It creates uncertainty among businesses such as ours, as well as accommodations and restaurants, and it weakens our already fragile market.

Imagine the outcry from industry if the government were to slash funding to the school of forestry at UBC, or from mining if geology programs were cut. From this point of view, I believe that the reckless, disproportionate cuts to the arts — without consultation with the sector’s stakeholders — has threatened to undermine the potential of our province’s creative economy. And because the arts are not as separate from the majority of British Columbians as the government may like to think, these ill-advised policies are undermining other parts of our economy as well.

Last fall I began creating a series of portraits of people in various trades and occupations who support a strong arts sector. Their participation and enthusiasm underlines our connectivity and contradicts the myth that the arts are elitist and somehow separate. The response to my online “Solidarity Series” has been very positive, both from artists and from non-artists. I hope you enjoy the samples on the following pages. The complete text can be found at http://www.claireart.ca.

Bill Horne
Wells, BC

Train drivers love a good line!

Train drivers John Howarth and Ibraim Ashow love a good line in books and live readings, as well as on the tracks. Photos and text: Bill Horne

Howarth has helped organize two “poetry trains” for VIA Rail. In 2003 a group of poets traveled from Winnipeg to Prince George with the train sold out. The 2004 poets traveled from Prince George to Prince Rupert. In both cases, they gave readings as they traveled west, and in small communities where they stopped along the way.

Howarth was involved with the 1999 CBC Fred Eaglesmith train as well.

“These were amazing trips,” he said, “and the passengers really enjoyed the experience. I think the BC government is underestimating the public’s appreciation of literature when it slashes arts funding.”

Ashow agrees. “John and I have the privilege of seeing a lot of BC and Canada through our work. It’s beautiful country, but it’s empty without stories, songs and poems that originate throughout the land.” Ibraim was a student at BCIT who now works as a conductor for the Hudson’s Bay Railway in Manitoba.

“I always read BC BookWorld,” says Howarth, “and I like to shop at stores like Books & Company in Prince George. Instead of cutting funding, though, the government ought to be increasing its support for our home-grown publishing industry, like it would the forest industry, transportation or any other sector of our economy.”

Engine #4019 was built in 1955 and has one 16 cylinder diesel engine with 1500 HP.

For further information, contact Bill Horne at Amazing Space Studio,
Wells, BC 250-994-2332 mazing at claireart dot ca

Bring Back The Fire – stage your own bonfire event!

Bring Back The Fire is a winter bonfire event organized in Wells, B.C., to protest the cuts to arts funding that have hit Wells and other smaller BC communities so hard. The event’s organizer is Bill Horne, the photographer responsible for the amazing photos of loggers, miners, farmers, pulp workers and hunters protesting the arts cuts. It sounds fun! From the invitation:

“Just after sundown… I am inviting people to “Bring Back the Fire! – celebrating our culture and protesting cuts to BC non-profits & arts.”

For those who live too far away to join us this weekend, please consider organizing your own event locally so we can light up more places!

Since the government has left PACs, non-profits & arts organizations “out in the cold” by cutting arts funding and taking away gaming monies, let’s fight their frigidity with fire and show them we won’t be frozen out of the economy!

A night this close to the solstice is a great time to demonstrate how brightly the power of community and culture can glow in a place like Wells. Envision an Island Mountain Arts (http://www.imarts.com) coffeehouse, but … outside!

BYO warm clothes and/or overnight gear, plus songs, poems, stories, skits, snacks, etc.
Cameo appearances are welcome for those who can’t stay the night ;-)”

Other communities should organize something similar! Wells, B.C. is well-named; it seems to be a bottomless well of great ideas.

Bill Horne’s “Solidarity” Photo Series of Workers in Support of the Arts

Solidarity series by Bill Horne

Many British Columbians have already seen Bill Horne‘s “Solidarity” photo series depicting loggers, miners, pulp mill workers, farmers (and hunters, still to come) speaking out in public support of the arts. The whole photo essay can also be seen in our previous post here. Bill’s moving photographs have done exactly what Bill hoped they would do, which is to demonstrate the crucial role of the arts in smaller communities as well as to disrupt widely-held stereotypes, both about the arts and about resource and rural workers. It’s hard to think of another example of art or communication in British Columbia that has so effectively cut through our most stubborn stereotypical ideas of who we actually are as a province, a culture and a people. Bill has a long background in community arts work and has been an extremely active community volunteer. He explains below his motivation for his photo series:

I started this series to illustrate our interconnectedness at a time when the BC government has made drastic cuts to arts funding, diverted gaming money from non-profits, and is trying to pit artists against the neediest of society.

I also wanted to break some insidious stereotypes: of working class people as “red necks” who aren’t involved in the arts; of the arts as inherently “elitist,” It seemed like a good time to revive that rusty, but trusty concept of solidarity. Eventually I want to set up a reflection of solidarity back from artists in various disciplines…

I’m very proud of all the people in these photos, and grateful for their participation in this project.

If you are interested in being in a photo shoot, please contact me via mazing at claireart dot ca. I am particularly interested in gathering more images of people in industrial trades and resource extraction.

In the meantime, please check out the links beside the photos and be sure to write your MLA and the Minister demanding the restoration of arts funding in BC.

Thanks,

Bill Horne
Wells, BC

Splash page image:
Bruce Self’s old Studebaker truck door, Tatlayoko Lake: a bit worn, but still solid.

Loggers, Pulp Mill Workers, Miners and Farmers say Restore Arts Funding Now!

Loggers speak out against BC arts cuts. Photo: Bill Horne

Forestry workers Michel Bernier and Jerry Krouzel are mad about what the BC government has done with gaming funds previously earmarked for the arts. (All of these photos were taken by Wells, BC photographer Bill Horne, whose information is at bottom. Link to this original photo is here.)

Bernier and Krouzel are currently working on a fuel management and fire protection program near Barkerville Historic Town in BC’s north Cariboo. Both are incensed about the negative impact of the gaming money grab on the hinterland’s culture and economy, because the resource sector provides so much of the province’s revenues.

“That money was meant to go to non-profits and the arts,” says Bernier. “They should give back ALL of it,” noting that although the government returned some gaming money, many non-profit and arts organizations weren’t eligible. “They didn’t say anything about this during last spring’s election.”

“Non-profits and arts groups are very important, especially in small communities in the hinterland, but they’re fragile. This funding can make or break them,” said Krouzel.

As one local example, gaming money has made up more than 10% of Island Mountain Arts’ annual budget in Wells. Its board is now struggling to make up the shortfall or cut its programming.

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Denise Dauvin, pulp mill worker, speaks out against BC arts cuts, Photo: Bill Horne

Prince George pulp mill worker, Denise Dauvin, loves her tunes and is unhappy about recent cuts to the arts in BC that affect the province’s musicians. (Link to original photo by Bill Horne is here.)

Sarah McLachlan is one of my faves,” said Dauvin at the truck dumps, “and she’s right when she says the cuts are a tragedy.”

McLachlan has been speaking out against the cuts in the media recently and has said she thinks “arts and culture are a huge part of what makes our part of the world vibrant.”

Dauvin likes the music of Roy Forbes, too, and wonders what support there will be for budding musicians who come from far-flung corners of the province like he did (Forbes hails from Dawson Creek). As one example of the current crisis in the arts, Music BC faces cuts to its travel assistance program, operating funds, and the Western Canadian Music Awards.

She believes that music is an essential creative outlet for children, and as important as sports and education in a child’s growth and development.

“Why is our government cutting culture at a time when US President Barack Obama has just named 25 artists and educators to a national arts advisory committee, and the US Congress has increased funding the National Endowment for the Arts and the National Endowment for the Humanities?” asks Dauvin. “If they think it’s smart to invest in the arts during a recession, why can’t we?”

Dauvin has been a heavy equipment operator at the pulpmill for over seven years.

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BC Miners speak out against BC arts cuts. Photo: Bill Horne

Devlin’s Bench gold miners Rob Dakau and Dave Jorgenson are strongly opposed to recent cuts to BC’s arts budget. (Link to original photo by Bill Horne is here.)

“When government ministers try to pit artists against hungry children, that’s a false dichotomy,” says heavy equipment operator Rob Dakau. “It’s not an elite thing. Children in our region benefit from art classes at Island Mountain Arts in Wells. And they learn to think creatively.”

Jorgenson, Devlin’s Bench mine manager and a Past President of the Wells & District Chamber of Commerce, says “our culture and our economy are interconnected. Some of us at the mine host musicians during the annual ArtsWells Festival; others provide security; most of us try to attend. Events like ArtsWells bring much-needed dollars to our community.”

He believes the government ought to be investing in the arts during the recession instead of making drastic cuts.

Pete Wright, whose company operates the mine, says that in a small community like Wells, tiny investments in the arts generate a positive ripple effect in the local economy. “In my business, I have to look ahead and consider the global economy. Countries like Singapore are investing in the arts for long term growth – why aren’t we?”

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Dragon Mtn farmers speak out against BC arts cuts. Photo: Bill Horne

Cariboo farmers Janet Allen and Murray Boal want the BC government to restore arts funding to pre-election levels. (Link to original photo by Bill Horne is here.)

Both farmers are angry that the BC government claimed that culture was the “second pillar” of its bid for the 2010 Olympics, and now has slashed arts funding by up to 90% over the next two years.

“We work hard producing nutritious food, but we know people also need the nourishment of books, art, dance, theatre and music,” said Allen.

“Our economy needs it, too,” she said. Allen notes that every dollar invested by the province in the arts returns between $1.05
and $1.36 directly to provincial treasuries through tax revenues. “Surely it makes sense to invest in this sector during the recession, especially considering the growing importance of cultural tourism for jobs.”

Boal says the government ought to be ashamed of devoting the lowest percentage of all provinces of its operating budget to culture in spite of having the largest percentage of its labour force in arts occupations. “We’re investing less than half the national average,” he says. “Québec invests nearly four times what we do. We need to narrow this gap, not make it worse.”

Dragon Mountain Farm was established in 1979 and has supplied 120 North Cariboo households with vegetables every summer since 1997. It is located 35 km southeast of Quesnel, BC on the Quesnel River.

As well as farming, Murray Boal has worked as a woodworker and a musician. He has recorded four CDs, the latest with Bob Campbell as the “wingdamramblers.” Janet Allen has a keen interest in social justice issues and is involved in local economic development. In her spare time she enjoys working with horses and border collies. For his part, Nick loves chasing the ball.

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All of these beautiful photographs were taken by Bill Horne, Wells, BC, after arts in his region were devastated by arts funding cuts. For further information, contact Bill at Amazing Space Studio, Wells, BC, 250-994-2332, or email mazing at claireart dot ca.